Archives For Sennelier

Put Up Your Dukes

Mary Liz Ingram —  March 5, 2013 — 2 Comments

I’m sitting on my art room floor, folded in an adolescent position (for which later my joints paid dearly), bent over an 8×10 sepia colored piece of pastel card. My pastels lay to my left, my reference in front propped against a child’s white & marker-scribbled chair. The sun is shining in, the Lumineers sing to me as Pandora plays my choice of music.

The metaphorical bell sounds; that hollow metallic announcement that the fight begins.

“DING!”

In one corner, there is me, bent and ready for the battle. My opponent in the other, a photo of a large silver Maine Coon, waiting to be drawn.

The match begins with ease. I sketch that cat and win round 1.

"paint by number" phase

“paint by number” phase

I tackle the image with my initial layers of pastels, and reduce my opponent to art reminiscent of the “paint-by-numbers” of my childhood.

When it’s time for the unifying layers, where it is expected that I will triumph, the cat fights back. It’s lunchtime and I’m growing weak. My frustrations mount as we’re locked in a fierce battle. I attack with my pastels to no avail.

I return to my corner. My eyes are numb to the big picture and I need a rest. Details are blurred and frustrated, and my animosity towards the cat has escalated to muttered swearing. I eat. I rest. I separate from the cat. Continue Reading…

Piece by Piece

Mary Liz Ingram —  February 21, 2013 — Leave a comment

Sometimes creating art can be a lot like completing a puzzle. I have the pieces, and it’s a matter of putting them all together.

Join me for a quick step-by-step journey, as I put the pieces together to form my latest pastel, “Cotton Whispers”:

The first piece to the puzzle begins in my mind: an inspiration; an experience; a mist of a final product. The next piece comes with my references: photographs taken on a family vacation, cotton bolls saved here and there.

Beginning the sketch

Beginning the sketch

The next step is the charcoal sketch: Continue Reading…

When Cotton Whispers

Mary Liz Ingram —  February 18, 2013 — 2 Comments

“Art creates a kind of commentary” -Barbara Kruger

I live in the South. Sweet Home Alabama. The southern states of the US are full of a complex history, and for me, it is always strongly felt when I have the rare opportunity to gaze in stillness over a vast field of snow-white cotton.

Cotton Whispers, 24x36" soft pastel on board

Cotton Whispers, 24×36″ soft pastel on board

Stand with me a moment:

It’s a gleaming fall day in Alabama. The sky is brilliantly soft blue as the sun shines intensely at midday, lighting up the tufts of white cotton to full brightness. The grass is becoming dry, multicolored with the changing of season.

Behind me is your average gas station. We’ve stopped to fill up on our way home. You see, I’m a city girl, raised from age two in Birmingham, “the steel city,” the largest city in Alabama. We don’t have cotton fields nearby, and I have grown up in an age in which people don’t pick cotton by hand anymore. I’ve never seen people working fields with anything other than large farming machines.  Continue Reading…

I’d like to introduce you to a member of the family. This unique relative likes to think outside the box, does not like to be constrained, and has an oily quality.

Meet soft pastel’s cousin, the oil pastel.

regular sized oil pastels

regular sized oil pastels

Now, let me tell you how I met the oil pastel, well, good oil pastels. We can all remember those crayon-like oil pastels from school art class; how their waxy marks just make a smeary mess. Who knew there was something better out there!? It’s like the difference between blackboard chalk and good soft pastels: like a whole different art medium. But I digress… Continue Reading…

pastels & card

my pastels & card

There they are, those beautiful sticks of soft pastels. They are about the size of my pointer finger, and while mine may be a bit messy, they are full of beautiful, creamy, vibrant color.

I have my pastel card cut and I’m ready to begin.

Wow: big pastel, tiny paper. How is it to be done???

My biggest sellers are mini pastels, 2×3″ to 4×4″ pastels on card, framed. When teaching classes, one of the tricks my students are encouraged to master is the ability to hold a chunky pastel just right, in order to achieve a very fine line. It can be done!

No matter how rounded my pastels look, I can always find an edge. Sometimes I have to break them (painful, I know…but it must be done!), or use a small “crumb.” When handled correctly, I can get a thin eyelash even on a small piece of art. Continue Reading…

I Will Light Candles…

Morning Vigil, 6x12" pastel on card

Morning Vigil, 6×12″ pastel on card

Candles of joy, despite all sadness,

Candles of hope where despair keeps watch.

Candles of courage where fear is ever present,

Candles of peace for tempest-tossed days,

Candles of grace to ease heavy burdens.

Candles of love to inspire all my living.

Candles that will burn all the year long.

-Howard Thurman

Sunday thoughts…

Chalk on a blackboard. What images pop into your mind? Math class, handwriting lessons, doodling in the corner when the teacher wasn’t looking….

Well allow me to introduce a new image: creating a pastel painting on a black board. If you know me at all, or follow my blog, you will know I love, love, love a good black base for my pastels. Up until today, this only meant that I start with black pastel.

But today, (drum roll please…) I created my own black pastel board!

Let me walk you through the process, and show you my results: Continue Reading…

In Memory of George

Mary Liz Ingram —  January 13, 2013 — 1 Comment
George

George

Tonight we lost our 11-year old cat George. He was our first pet, discovered as a tiny kitten in a bush in Piedmont, Alabama the February before my husband and I were married. He leaves behind his best friend Sam, and his human family.  I drew this pastel of him as a kitten several years ago, and thought it was a fitting piece to share. We will miss our sweet George!

Doing a back flip

Mary Liz Ingram —  January 10, 2013 — Leave a comment

I go on and on about the glories of textured pastel paper-which I love and prefer-but sometimes, I do use a piece of “regular” pastel paper…with a twist. While I mostly use Ampersand Pastelbords and Sennelier La Carte pastel card, I often choose a sheet of pastel paper for soft subjects, like a baby’s face. However, I do NOT like the little dots that show up on most papers.

So, I just flip it over and use the back! Continue Reading…

I’m teaching a class to a group of beginning pastelists: Some students have read up on pastel techniques, others may have had a few classes. My first instruction always throws them for a loop: “Begin with lots of black!”

As I’ve said before, I’m a self-taught artist…When it comes to pastels, I fiddled with them alone at my art desk until I discovered results I liked. And it all started with black.

Below you will find a quick tutorial using my own technique to create vibrant, textured pastel paintings. Continue Reading…