Archives For pastel

Put Up Your Dukes

Mary Liz Ingram —  March 5, 2013 — 2 Comments

I’m sitting on my art room floor, folded in an adolescent position (for which later my joints paid dearly), bent over an 8×10 sepia colored piece of pastel card. My pastels lay to my left, my reference in front propped against a child’s white & marker-scribbled chair. The sun is shining in, the Lumineers sing to me as Pandora plays my choice of music.

The metaphorical bell sounds; that hollow metallic announcement that the fight begins.

“DING!”

In one corner, there is me, bent and ready for the battle. My opponent in the other, a photo of a large silver Maine Coon, waiting to be drawn.

The match begins with ease. I sketch that cat and win round 1.

"paint by number" phase

“paint by number” phase

I tackle the image with my initial layers of pastels, and reduce my opponent to art reminiscent of the “paint-by-numbers” of my childhood.

When it’s time for the unifying layers, where it is expected that I will triumph, the cat fights back. It’s lunchtime and I’m growing weak. My frustrations mount as we’re locked in a fierce battle. I attack with my pastels to no avail.

I return to my corner. My eyes are numb to the big picture and I need a rest. Details are blurred and frustrated, and my animosity towards the cat has escalated to muttered swearing. I eat. I rest. I separate from the cat. Continue Reading…

My grandparent's WWII Salt & Pepper Shakers

My grandparent’s WWII Salt & Pepper Shakers, original photograph

I was standing in the kitchen eating a good, homemade southern biscuit with a nice pat of butter in its middle, when my senses whisked me back to another house, another tasty biscuit, another just-melting-but-still-cold piece of butter.

My grandparent’s house, Birmingham, Alabama circa 1991: In front of me, at chest height while sitting, is my Granny’s oval dining room table, shiny with wood polish. Around the table, on rounded and puffed, aqua-upholstered, carved wooden chairs from an era past, sits my family – my Granny with her curly gray hair, my Grandaddy topped in a gloriously soft white tuft, my mom and dad, and my little sister with her freckles.

Eating my biscuit in my own kitchen today, I remembered how things were to be done at that family dinner table. In this formal Southern dining room with it’s sheer lace curtains, the African violets bloom in the window, and Granny’s pastel portraits of my four great grandparents hang in gilded frames upon a wall-papered backdrop. In this room, your mint iced teas must sit on the silver coasters, and the tiny salt and pepper shakers – brought home from France in WWII – are set within reach. The fresh biscuits are always served in the ventilated and covered red warming dish. Continue Reading…

Piece by Piece

Mary Liz Ingram —  February 21, 2013 — Leave a comment

Sometimes creating art can be a lot like completing a puzzle. I have the pieces, and it’s a matter of putting them all together.

Join me for a quick step-by-step journey, as I put the pieces together to form my latest pastel, “Cotton Whispers”:

The first piece to the puzzle begins in my mind: an inspiration; an experience; a mist of a final product. The next piece comes with my references: photographs taken on a family vacation, cotton bolls saved here and there.

Beginning the sketch

Beginning the sketch

The next step is the charcoal sketch: Continue Reading…

When Cotton Whispers

Mary Liz Ingram —  February 18, 2013 — 2 Comments

“Art creates a kind of commentary” -Barbara Kruger

I live in the South. Sweet Home Alabama. The southern states of the US are full of a complex history, and for me, it is always strongly felt when I have the rare opportunity to gaze in stillness over a vast field of snow-white cotton.

Cotton Whispers, 24x36" soft pastel on board

Cotton Whispers, 24×36″ soft pastel on board

Stand with me a moment:

It’s a gleaming fall day in Alabama. The sky is brilliantly soft blue as the sun shines intensely at midday, lighting up the tufts of white cotton to full brightness. The grass is becoming dry, multicolored with the changing of season.

Behind me is your average gas station. We’ve stopped to fill up on our way home. You see, I’m a city girl, raised from age two in Birmingham, “the steel city,” the largest city in Alabama. We don’t have cotton fields nearby, and I have grown up in an age in which people don’t pick cotton by hand anymore. I’ve never seen people working fields with anything other than large farming machines.  Continue Reading…

The Birds

Mary Liz Ingram —  February 12, 2013 — 2 Comments
Busy Birds, 7X12 soft pastel on card

Busy Birds, 7X12 soft pastel on card

I step outside into the fresh morning air;

a swirl of eager chatter encircles me.

I lift my eyes to the busy scene:

birds playing a game of musical chairs

amongst the bare branches of the tall trees.

All weight is lifted into the cool gray sky,

agendas fade and I pause upon the stair.

I breathe in life.

I feel a small and glorious part

of the nature of things.

neighborhood chatter

neighborhood chatter

 

1,000 Words

Mary Liz Ingram —  February 10, 2013 — Leave a comment

Sometimes a moment grabs you.

Your life is carrying on, business as usual. Then you look up, and, pow! An image, a person, a sound, a smell…it just gets you. It steals your attention away from the course of everyday life, and gives you pause. It’s a moment when your senses are flooded by emotion…nostalgia, gratefulness, love, perhaps sadness or pain.

I am working to soak in these unexpected treasures as they come. When I see my boy lining up snowballs, for instance, or I find him reading far after bedtime in his fort, I am thankful for the moment’s fullness; I snap a picture, and I create a piece of art to convey that moment that took hold of my heart.

It’s raining and thundering on this February Sunday. In my art room, I was irritably trying to muster the focus I needed to finish a planned pastel of a cotton field. My daughter quietly slipped into the room, and perched on a tall, yellow metal chair behind me. I turned to look at her, and saw her slowly smoothing a long silk scarf on her head as she watched the rain out of the window, dressed in a puffy pink tutu with her little feet propped up on the bottom rail.

She was beautiful. I soaked it in.

Rainy Day, pastel sketch on paper

Rainy Day, pastel sketch on paper

“A picture’s worth a thousand words”

 

My Firstborn

Mary Liz Ingram —  January 26, 2013 — Leave a comment

Beginnings…there’s something about them that you just can’t forget.

I remember down to every detail, the moments when I first met each of my children. I remember the first time I met the man who has been my husband for almost 11 years.

And I remember when I drew my first pastel. It was seven years ago, and began as a doodle, just to entertain on a dull afternoon. I sketched out a picture of my first baby in black. Then I absent-mindedly added a bit of color here and there.

Congratulations all around! My firstborn pastel entered the world.

Snack Time, 8x10 pastel on newsprint

Snack Time, 8×10 pastel on newsprint

From there, I dabbled here and there and stumbled my way to my own set of pastel techniques.

If you’d like to meet my first “full color” pastel, as you might say, visit my previous post Memories.

 

Such is Life, Act One

Mary Liz Ingram —  January 16, 2013 — 5 Comments

Last weekend was a doozie. Sunday night about pushed me over the edge.

The curtain is raised. The stage is set:

Our story begins in a small house in southern suburbia. Alas, the sweet and ever-helpful husband is out of town on business, leaving a young working mother outnumbered 3 to 1 with the children. Friday night, darkness falls Continue Reading…

Since my previous post about SpectraFix Pastel Fixative, I’ve had some questions from readers and new developments on my own. I want to take a moment to add to the discussion, so we as artists can have the most information to create the best results possible! Continue Reading…

One-armed bendy Santa, charcoal and conte sketch

One-armed bendy Santa, charcoal and conte sketch

On the third day of Christmas sketches…

We all like something weird, some little trinket that strings along memories that other eyes can’t see. It holds sentimental value like a treasure, though it may be locked away in the trivial shell of an old toy.

Each year as I pull out decorations, there are a few pieces that stand out more than others; a few that I dig around for, searching through attic-musty tissue papers in the Christmas box. My one-armed bendy Santa is one of those oddly precious objects.

He has a wonky, yellowed beard, mismatched painted eyes, and an excellent wooden cone hat. He’s one of those toys where you push the round base from below and it makes the figure slump, then you release it and he pops back up. He’s old and you can tell…he was part of my paternal grandmother’s collection, and he has been around my whole life.

Now, this is the grandmother who was an artist. She taught me the basics of art and let my cousins, sister and I have regular, free-for-all craft time at her house. She was quirky, inventive, interesting and fabulous. And she collected EVERTHING: rocks, bells, books, flowers, these little toys…you name it. She had a room in which the walls were completely covered in framed family photos (aka “the picture room”).  I apparently get the urge to collect and create from her, along with a lot of other quirks that my sister likes to point out. Ha!

Anyway, this little cockeyed, one-armed bendy Santa makes me think of her, my delightfully eccentric grandmother, and it warms my heart each Christmas.

3 French Hens

3 French Hens