Archives For painting

The Siege

Mary Liz Ingram —  May 19, 2013 — Leave a comment

Once upon a time, down the hill and around the curve, there lived a small woman in a castle of painted brick and siding. As the flowers bloomed brightly and the vines curled gently up the wall, the woman prepared for her day of honor: a day when the small folk in her care brought tokens of love, thanks and devotion for her days of tireless service.

The woman, who thought herself queen over her realm, received gifts of breakfast, priceless art, blossoms and praise as she reclined on her pillowed throne. The sun lit her day, as the small ones brought smiles into her presence.

Later in this day of tribute, the tides began to turn. There was a shift in the small folk’s demeanor.

Thus began the siege.

It began with a small rebellion by a 5-year-old boy, who called strike upon his labors. No laundry would he fold, no dishes would he put away, no rooms would he clean! He attacked the firm walls of authority with persistent whining, crying and the stomping of feet.

The woman, adept at handling unruly charges, placed him calmly in the corner of reflection until he relinquished his fight. As she took on his labors and folded the clothes of the residents, the boy continued his barrage of shrill protest, chipping rhythmically against the walls of her patience.

Fighting back against the siege, the woman hummed calming melodies as she attempted to retain her stalwart composure. But the battery did not cease.

Hours later, the dinner bell announced the time to serve the feast. The woman, offering treasures of coin to the oldest small one, farmed out the undone chores to the responsible peasant. Meanwhile, a tiny villager ransacked the palace kitchens, scattering plates and bowls all over the dirty floor. The boy continued his attack with tears and the gnashing of teeth, wearing down the resolve of the barely-standing battlements. Continue Reading…

Soundtrack to Art

Mary Liz Ingram —  May 8, 2013 — 2 Comments

Back in the day, I might have made an Art Mixtape. It would’ve been awesome. I would have made several to keep on hand and pop in “ye old tape player” as needed: a mixtape for those days of “Existential Flu“; a mixtape for those productive days full of eager creation and purpose; a mixtape for days spent drawing cotton fields and pigs.

Mix TapeFor me, art and music go hand in hand. I can draw and create with children on my back, showing me lego creations and spilling paint, as long as I have music to help me ride me above the chaos. Music imbibes life into each stroke of my pastel. It helps me work quickly and, well, musically; loose and free marks are capable because music carries my thoughts and keeps me relaxed.

Music gives expression to complicated thoughts. As I look back on the soundtrack of my life, I can associate songs with different phases. Songs of searching and even despair when I was trying to find my way in the world; songs of triumph and energy when I’d found a path to follow; songs of ease and depth when my life feels full and rich.

What songs are on your playlist? What music gives expression to your life? What music aids you in your art?

 

Here are a few of my current choices:

The Lumineers, Mumford & Sons… for those much-needed “art days,” when I am free to create as I choose

The Alabama Shakes… when I want to relax

Old Crow Medicine Show & Johnny Cash… for those pigs, cows and cotton bolls

Some past choices that have run their course, but you never know if they may see a resurgence: Norah Jones, Coldplay, Bob Marley, Jack Johnson, Madeleine Peyroux, classical piano

 

He was full of emotions struggling for expression…

The Survivor, E. Phillips Oppenheim

 

Some of my art inspired by song: 

Dancing in Clover, ink sketchLovely Girl

The Honeysuckle Vine

Carousel

Dancing in Clover

This little piggy went to market, this little piggy stayed home. This little piggy had roast beef, and this little piggy had none. and this little piggy…went “wee, wee, wee!” all the way home…

Well, this little piggy was meant for market, and this little piggy found a new home. My fastest sale ever thanks to a lovely lady from the Birmingham area, he made a quick debut on Facebook and used his charm to find his own place in the world. He is a happy little fellow!

"Oink," 8x10 soft pastel on card, sold

“Pig #3,” 8×10 soft pastel on card, sold

While I was drawing this pig, I remembered a scene from my childhood…one of triumph and pride that I carried with me for quite some time. I confess, it’s been awhile since I thought of it. But how could I forget?!

It was the Alabama State Fair, circa 1985. I was there with my family, perched on my mom’s hip. I can still picture the scene, in that long-ago, fuzzy kid-vision we have of moments that make a great impression…the colors, the noise, the smell of hay. Continue Reading…

Alabama Goods

Mary Liz Ingram —  April 21, 2013 — Leave a comment

After sitting on my work for quite some time (having an infant makes it difficult to keep up!), I am happy to announce that my pastel “Pieces of the South” are now available at Alabama Goods in downtown Homewood, Alabama.

The specialty store will carry my large and small pastels of cows, pigs, cotton…all things Southern!

Here are a few of my new pieces that have made their way to the shop…

"Moo," 8x8 pastel on card

“Moo,” 8×8 pastel on card

all framed up

all framed up

"This Little Piggy," 8x8 soft pastel

“This Little Piggy,” 8×8 soft pastel

 

The Yellow Haze

Mary Liz Ingram —  April 10, 2013 — Leave a comment

My car covered in pollenSpring has sprung in Alabama, and with its advent comes the yellow haze. The dreaded pollen influx has enveloped our neighborhoods, coated our cars, and invaded our lungs. Yellow clouds are stirred by the wind like sand storms. We’re all on Zyrtec in order to survive.

But with all this yellow dust, comes the most beautiful array of Spring flowers. Now, if anyone cares to notice, I don’t often draw flowers. I think flowers are fabulous (hint, hint to my husband); but I’m just not a huge fan of choosing them as my subject. I’ve drawn them occasionally: daffodils, camellias, magnolias…

Do thistles count? Continue Reading…

Lovely Girl

Mary Liz Ingram —  March 11, 2013 — 2 Comments

 

Nora Grace, 8x10 pastel on paper

Nora Grace, 8×10 pastel on paper

Baby Nora

An unexpected gift to our family, this little girl is joy in the flesh. Sweet and soft, small and patient, she is a little light, bringing dimpled grins wherever she goes. Each time we hold her, we breath in life a little more deeply, pause and linger over the moment with a little more care. The gratefulness we feel because of this precious girl is inexpressible. I spend each day gushing over her: squishing her cheeks, waiting for her smile and her sweet, tiny voice to call for me. She lives surrounded by love, as I hope she always, always will.

“Lovely girl won’t you stay, won’t you stay, stay with me” -The Lumineers

Piece by Piece

Mary Liz Ingram —  February 21, 2013 — Leave a comment

Sometimes creating art can be a lot like completing a puzzle. I have the pieces, and it’s a matter of putting them all together.

Join me for a quick step-by-step journey, as I put the pieces together to form my latest pastel, “Cotton Whispers”:

The first piece to the puzzle begins in my mind: an inspiration; an experience; a mist of a final product. The next piece comes with my references: photographs taken on a family vacation, cotton bolls saved here and there.

Beginning the sketch

Beginning the sketch

The next step is the charcoal sketch: Continue Reading…

When Cotton Whispers

Mary Liz Ingram —  February 18, 2013 — 2 Comments

“Art creates a kind of commentary” -Barbara Kruger

I live in the South. Sweet Home Alabama. The southern states of the US are full of a complex history, and for me, it is always strongly felt when I have the rare opportunity to gaze in stillness over a vast field of snow-white cotton.

Cotton Whispers, 24x36" soft pastel on board

Cotton Whispers, 24×36″ soft pastel on board

Stand with me a moment:

It’s a gleaming fall day in Alabama. The sky is brilliantly soft blue as the sun shines intensely at midday, lighting up the tufts of white cotton to full brightness. The grass is becoming dry, multicolored with the changing of season.

Behind me is your average gas station. We’ve stopped to fill up on our way home. You see, I’m a city girl, raised from age two in Birmingham, “the steel city,” the largest city in Alabama. We don’t have cotton fields nearby, and I have grown up in an age in which people don’t pick cotton by hand anymore. I’ve never seen people working fields with anything other than large farming machines.  Continue Reading…

The Case for Pastels

Mary Liz Ingram —  February 6, 2013 — 3 Comments

Ahem, ahem…let me clear my throat before I begin on this apparently sensitive subject.

I myself have been known to get quite feisty over the matter, cheeks flushing and all. I have most recently been in a bit of an irritable mood over the query, and I just can’t shake it. So, it must be addressed. Allow me to present the case:

“Order in the court! Will the defendant please rise. Pastel picture, you are now on trial. Please answer the following question:

Are you a painting, or a drawing?” Continue Reading…

I’d like to introduce you to a member of the family. This unique relative likes to think outside the box, does not like to be constrained, and has an oily quality.

Meet soft pastel’s cousin, the oil pastel.

regular sized oil pastels

regular sized oil pastels

Now, let me tell you how I met the oil pastel, well, good oil pastels. We can all remember those crayon-like oil pastels from school art class; how their waxy marks just make a smeary mess. Who knew there was something better out there!? It’s like the difference between blackboard chalk and good soft pastels: like a whole different art medium. But I digress… Continue Reading…