Archives For commission

Shhhhh…

Mary Liz Ingram —  January 3, 2014 — 2 Comments

Twas the weeks before Christmas and all through the house, not a creature was stirring not even a mouse…

My blog site was quiet over Christmas. But this was only a trick. A facade, if you will.

I was quite the busy bee, but all my art had to stay hushed so as not to ruin Christmas surprises. I had lots of commissions, lots of gifts to create. Over the next few days I’ll catch you up on a few of the pieces that found new homes for Christmas!

Below is one of the first pieces this “commission season”…a very large, majestic white lab. Can I even tell you how much I enjoyed this piece? 

 

Surprise!

Mary Liz Ingram —  April 15, 2013 — Leave a comment

Art desk scrubbed, pastels ready, paper cut, charcoal in hand, reference propped at just the right angle…

Deep, contemplative breath in, nervous exhale as I prepare to begin another portrait.

Grasping for my inner creative, I look at the photo reference, with the jet black backdrop behind this cute chubby baby, and I try to envision the finished product. I used to aim to be a camera: copy the image as exactly as possible. With some experience and years of art behind me, this is no longer my goal. I now try to take an image and “make it sing,” however that translates on paper.

Baby Boy, 11x14 preliminary sketch

Baby Boy, 11×14 preliminary sketch

I sketch out the sweet little boy; feel pretty good about feature placement. Now it’s time for the dreaded background. In my mind’s eye, I see a light, wispy something or other, which is not much help. Instead of agonizing over it, I just jump in.

Working on a deadline, I don’t have time to mess around.

The joy of being back at my art desk after a few busy weeks, mixed with determination to get the portrait finished, ended up surprising me with yet another evolution of my art.

I’ve found over the years, that even though you are creating art with your own hand, your own head and your own heart, the results can sometimes surprise you. Though you may have drawn something in the same way many, many times, all of a sudden the finished product is something unexpectedly and delightfully different.

With this portrait, I unknowingly used a lighter, looser hand, less defined edges, and worked the color and texture of my pastel card into the painting. I was (thankfully) quite happy with this new result, and am very glad that the new owners are as well!

Baby Boy, 11x14 pastel on card

Baby Boy, 11×14 pastel on card

Memories

marylizingramart —  August 5, 2012 — 1 Comment

Shepherd, Soft Pastel… On my twelfth birthday, my grandfather gave me a collection of my first “real” art supplies. Never doing anything halfway, he went to a local art store to have a professional choose the best materials: a selection of nice brushes, a set of watercolors in tubes and in a pan, acrylic paint, oil paint, canvases, papers, a set of drawing pencils, erasers, and a large box of pastels. With that gift, I moved from the childhood world of drawing cartoon characters with a #2 pencil to exploring the world of fine art. Years later, after I had painted and sketched the days away, I finally picked up the untouched box of pastels. But what to draw? It was my sophomore year of college, and I had recently returned from a Jan-term trip to Jordan and Syria (where, incidentally, I met my husband, a fellow student). There were so many new memories forever burned into my mind, but one stood out, and still does to this day: standing atop a golden ridge, looking out as the amber sun set over the Dead Sea, viewing the Bedouin caves from above, and spotting a flock of goats and sheep with their robed shepherd in the valley below. It was a beautiful moment, rich in color, that became the subject of my first pastel drawing with my first set of pastels. I have drawn it several times since, and it has become a repeated special request from my grandmother. The image has been altered as my hand has gathered new techniques and greater knowledge over the years, but here is a version from today, commissioned as a gift, sitting atop the greatest treasures of my much-expanded collection of art supplies: my Sennelier Soft Pastels.