Archives For Birmingham

Lovely Girl

Mary Liz Ingram —  March 11, 2013 — 2 Comments

 

Nora Grace, 8x10 pastel on paper

Nora Grace, 8×10 pastel on paper

Baby Nora

An unexpected gift to our family, this little girl is joy in the flesh. Sweet and soft, small and patient, she is a little light, bringing dimpled grins wherever she goes. Each time we hold her, we breath in life a little more deeply, pause and linger over the moment with a little more care. The gratefulness we feel because of this precious girl is inexpressible. I spend each day gushing over her: squishing her cheeks, waiting for her smile and her sweet, tiny voice to call for me. She lives surrounded by love, as I hope she always, always will.

“Lovely girl won’t you stay, won’t you stay, stay with me” -The Lumineers

My kind and ever-patient art critic

My kind and ever-patient art critic

It’s the moment when your artist’s angst is at its peak. Your anxiety and self-doubt threatens to swallow you whole as you contemplate your progress, your vision, your work-in-progress. You turn and address your spouse: “Woe is me! I am but a worm in the world of art! This eye is not right! This brush stroke out of place!” The profuse encouraging support fails to reinflate your confidence. You know something is artistically awry and such flattery falls on deaf ears. You ask for serious improvement suggestions. Bad idea.

It’s the moment when you soar in self-satisfaction over your seemingly greatest achievement. Your triumph is palpable as you gaze lovingly at your finished product. Eyes misty and senses blurred, you see only an image of perfection. Then you look more closely. And you see a flaw. Then another. You turn and address your loved-one: “I thought it was perfect! But, alas, I see flaw after flaw after flaw! How can I remedy this calamity?!” You’ve asked for a critique of your art-baby. You’ve opened yourself up to criticism. From a much loved, highly involved relation-of-sorts. Bad idea.

Whether in highs or lows, we are all – not just artists! – so very sensitive to criticism. I know when, in my own personal melodrama, I’ve asked for my husband’s honest and open and I-promise-not-to-get-upset opinion, it is a farce: I will get upset. It’s like asking if you look fat in a dress. No answer is acceptable.

True, true…art is free and open and without rules. As artists we can paint or draw or sculpt or carve however we want, whatever we want, and who’s to say if it is good or bad, right or wrong, perfect or imperfect. But, still…some things are better than others, and most things can be improved.

So, our lesson for today is this:

Don’t be so hard on our invited critics.

Or else don’t ask if the metaphorical dress makes you look fat.

My poor husband…how does he put up with having an artist for a wife!

“Let us go on talking about ourselves and our own particular little niche in life. The world is too vast a place.”The Colossus of Arcadia E. Phillips Oppenheim

Today I read a blog post by one of my fellow artists that encouraged the art of self portraiture. Hmm. Not something I do very often – ahem – I mean ever. I’m not a big fan of photos of myself, much less drawing my face.

But there is something fascinating about an artist’s self portrait. It is a window into their life, their thoughts, their persona reflected in their own creation. I browsed the web for self portraits and came across a Russian artist from the early 1900s with whom I was unacquainted.

Zinaida Serebriakova self portrait

Zinaida Serebriakova self portrait

One of the first Russian women to gain real fame in the art world, Zinaida Serebriakova painted images of her surroundings and the people in her country.  She valued life and beauty, worked in oils, charcoal and pastels. She was a wife, mother, daughter and experienced her share of tragedy during the revolution in 1917.  She began her successful art career as a young woman, and painted many beautiful self portraits that stand out to me because of her charm, her smile, her friendly, welcoming expression. The props and surroundings she chose give you a glimpse into her life: paints and brushes, her children, her dressing table with jewelry, perfumes and combs. I was fascinated by her. While most self portraits portray serious expressions, without hint of smiles, Serebriakova’s portraits intrigue me with her pleasant, almost mischievous grin.

I began thinking on my own self portrait. What would I include? What expression would I depict?

We all seek to be known. Continue Reading…

Put Up Your Dukes

Mary Liz Ingram —  March 5, 2013 — 2 Comments

I’m sitting on my art room floor, folded in an adolescent position (for which later my joints paid dearly), bent over an 8×10 sepia colored piece of pastel card. My pastels lay to my left, my reference in front propped against a child’s white & marker-scribbled chair. The sun is shining in, the Lumineers sing to me as Pandora plays my choice of music.

The metaphorical bell sounds; that hollow metallic announcement that the fight begins.

“DING!”

In one corner, there is me, bent and ready for the battle. My opponent in the other, a photo of a large silver Maine Coon, waiting to be drawn.

The match begins with ease. I sketch that cat and win round 1.

"paint by number" phase

“paint by number” phase

I tackle the image with my initial layers of pastels, and reduce my opponent to art reminiscent of the “paint-by-numbers” of my childhood.

When it’s time for the unifying layers, where it is expected that I will triumph, the cat fights back. It’s lunchtime and I’m growing weak. My frustrations mount as we’re locked in a fierce battle. I attack with my pastels to no avail.

I return to my corner. My eyes are numb to the big picture and I need a rest. Details are blurred and frustrated, and my animosity towards the cat has escalated to muttered swearing. I eat. I rest. I separate from the cat. Continue Reading…

What’s in a name?

Mary Liz Ingram —  February 27, 2013 — Leave a comment

Baby ToesYou’re expecting a baby. You toss around this name, argue over that name. You think of the ways someone could make fun of the name, what it rhymes with, how it looks in writing. For me, I knew the baby’s name as soon as the gender was discovered. For my sister, her baby had a name when they were forced to turn in the birth certificate form. It’s a big deal, naming a person!

In a different setting (or if you’re like me, with said baby on your hip), it’s time to choose another name: another “product of your labors,” if you will (ha ha).

The Clod & The Pebble

The Clod & The Pebble, 18×24 Soft Pastel on board,

Your art is complete. You stand back, considering the image, thinking of the message, the voice you hope it conveys…the mood, the feeling. It’s time to give it a name. Sometimes a name seems to come pre-attached to your artwork and is easy to choose, such as my “The Clod and the Pebble,” which was inspired by the poetry of William Blake. Sometimes extensive creativity is not required, like a friend of mine who numbers his cow paintings (Cow 1, Cow 34, etc.). Sometimes naming art can be comical, when you try to be real “artsy fartsy” and call it “Life Emerging from Heartstrings” or “Purple Mists Over the Lands of Love.” (apologies if anyone has chosen these fabulous, imaginary titles…)

At other times, you stare and stare and your mind draws a blank. This happens to me A LOT. I’ll toss names around, and finally just settle for one that I may find a bit silly. Continue Reading…

My grandparent's WWII Salt & Pepper Shakers

My grandparent’s WWII Salt & Pepper Shakers, original photograph

I was standing in the kitchen eating a good, homemade southern biscuit with a nice pat of butter in its middle, when my senses whisked me back to another house, another tasty biscuit, another just-melting-but-still-cold piece of butter.

My grandparent’s house, Birmingham, Alabama circa 1991: In front of me, at chest height while sitting, is my Granny’s oval dining room table, shiny with wood polish. Around the table, on rounded and puffed, aqua-upholstered, carved wooden chairs from an era past, sits my family – my Granny with her curly gray hair, my Grandaddy topped in a gloriously soft white tuft, my mom and dad, and my little sister with her freckles.

Eating my biscuit in my own kitchen today, I remembered how things were to be done at that family dinner table. In this formal Southern dining room with it’s sheer lace curtains, the African violets bloom in the window, and Granny’s pastel portraits of my four great grandparents hang in gilded frames upon a wall-papered backdrop. In this room, your mint iced teas must sit on the silver coasters, and the tiny salt and pepper shakers – brought home from France in WWII – are set within reach. The fresh biscuits are always served in the ventilated and covered red warming dish. Continue Reading…

Piece by Piece

Mary Liz Ingram —  February 21, 2013 — Leave a comment

Sometimes creating art can be a lot like completing a puzzle. I have the pieces, and it’s a matter of putting them all together.

Join me for a quick step-by-step journey, as I put the pieces together to form my latest pastel, “Cotton Whispers”:

The first piece to the puzzle begins in my mind: an inspiration; an experience; a mist of a final product. The next piece comes with my references: photographs taken on a family vacation, cotton bolls saved here and there.

Beginning the sketch

Beginning the sketch

The next step is the charcoal sketch: Continue Reading…

When Cotton Whispers

Mary Liz Ingram —  February 18, 2013 — 2 Comments

“Art creates a kind of commentary” -Barbara Kruger

I live in the South. Sweet Home Alabama. The southern states of the US are full of a complex history, and for me, it is always strongly felt when I have the rare opportunity to gaze in stillness over a vast field of snow-white cotton.

Cotton Whispers, 24x36" soft pastel on board

Cotton Whispers, 24×36″ soft pastel on board

Stand with me a moment:

It’s a gleaming fall day in Alabama. The sky is brilliantly soft blue as the sun shines intensely at midday, lighting up the tufts of white cotton to full brightness. The grass is becoming dry, multicolored with the changing of season.

Behind me is your average gas station. We’ve stopped to fill up on our way home. You see, I’m a city girl, raised from age two in Birmingham, “the steel city,” the largest city in Alabama. We don’t have cotton fields nearby, and I have grown up in an age in which people don’t pick cotton by hand anymore. I’ve never seen people working fields with anything other than large farming machines.  Continue Reading…

The Birds

Mary Liz Ingram —  February 12, 2013 — 2 Comments
Busy Birds, 7X12 soft pastel on card

Busy Birds, 7X12 soft pastel on card

I step outside into the fresh morning air;

a swirl of eager chatter encircles me.

I lift my eyes to the busy scene:

birds playing a game of musical chairs

amongst the bare branches of the tall trees.

All weight is lifted into the cool gray sky,

agendas fade and I pause upon the stair.

I breathe in life.

I feel a small and glorious part

of the nature of things.

neighborhood chatter

neighborhood chatter

 

1,000 Words

Mary Liz Ingram —  February 10, 2013 — Leave a comment

Sometimes a moment grabs you.

Your life is carrying on, business as usual. Then you look up, and, pow! An image, a person, a sound, a smell…it just gets you. It steals your attention away from the course of everyday life, and gives you pause. It’s a moment when your senses are flooded by emotion…nostalgia, gratefulness, love, perhaps sadness or pain.

I am working to soak in these unexpected treasures as they come. When I see my boy lining up snowballs, for instance, or I find him reading far after bedtime in his fort, I am thankful for the moment’s fullness; I snap a picture, and I create a piece of art to convey that moment that took hold of my heart.

It’s raining and thundering on this February Sunday. In my art room, I was irritably trying to muster the focus I needed to finish a planned pastel of a cotton field. My daughter quietly slipped into the room, and perched on a tall, yellow metal chair behind me. I turned to look at her, and saw her slowly smoothing a long silk scarf on her head as she watched the rain out of the window, dressed in a puffy pink tutu with her little feet propped up on the bottom rail.

She was beautiful. I soaked it in.

Rainy Day, pastel sketch on paper

Rainy Day, pastel sketch on paper

“A picture’s worth a thousand words”