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Put Up Your Dukes

Mary Liz Ingram —  March 5, 2013 — 2 Comments

I’m sitting on my art room floor, folded in an adolescent position (for which later my joints paid dearly), bent over an 8×10 sepia colored piece of pastel card. My pastels lay to my left, my reference in front propped against a child’s white & marker-scribbled chair. The sun is shining in, the Lumineers sing to me as Pandora plays my choice of music.

The metaphorical bell sounds; that hollow metallic announcement that the fight begins.

“DING!”

In one corner, there is me, bent and ready for the battle. My opponent in the other, a photo of a large silver Maine Coon, waiting to be drawn.

The match begins with ease. I sketch that cat and win round 1.

"paint by number" phase

“paint by number” phase

I tackle the image with my initial layers of pastels, and reduce my opponent to art reminiscent of the “paint-by-numbers” of my childhood.

When it’s time for the unifying layers, where it is expected that I will triumph, the cat fights back. It’s lunchtime and I’m growing weak. My frustrations mount as we’re locked in a fierce battle. I attack with my pastels to no avail.

I return to my corner. My eyes are numb to the big picture and I need a rest. Details are blurred and frustrated, and my animosity towards the cat has escalated to muttered swearing. I eat. I rest. I separate from the cat. Continue Reading…

My grandparent's WWII Salt & Pepper Shakers

My grandparent’s WWII Salt & Pepper Shakers, original photograph

I was standing in the kitchen eating a good, homemade southern biscuit with a nice pat of butter in its middle, when my senses whisked me back to another house, another tasty biscuit, another just-melting-but-still-cold piece of butter.

My grandparent’s house, Birmingham, Alabama circa 1991: In front of me, at chest height while sitting, is my Granny’s oval dining room table, shiny with wood polish. Around the table, on rounded and puffed, aqua-upholstered, carved wooden chairs from an era past, sits my family – my Granny with her curly gray hair, my Grandaddy topped in a gloriously soft white tuft, my mom and dad, and my little sister with her freckles.

Eating my biscuit in my own kitchen today, I remembered how things were to be done at that family dinner table. In this formal Southern dining room with it’s sheer lace curtains, the African violets bloom in the window, and Granny’s pastel portraits of my four great grandparents hang in gilded frames upon a wall-papered backdrop. In this room, your mint iced teas must sit on the silver coasters, and the tiny salt and pepper shakers – brought home from France in WWII – are set within reach. The fresh biscuits are always served in the ventilated and covered red warming dish. Continue Reading…

The Case for Pastels

Mary Liz Ingram —  February 6, 2013 — 3 Comments

Ahem, ahem…let me clear my throat before I begin on this apparently sensitive subject.

I myself have been known to get quite feisty over the matter, cheeks flushing and all. I have most recently been in a bit of an irritable mood over the query, and I just can’t shake it. So, it must be addressed. Allow me to present the case:

“Order in the court! Will the defendant please rise. Pastel picture, you are now on trial. Please answer the following question:

Are you a painting, or a drawing?” Continue Reading…

pastels & card

my pastels & card

There they are, those beautiful sticks of soft pastels. They are about the size of my pointer finger, and while mine may be a bit messy, they are full of beautiful, creamy, vibrant color.

I have my pastel card cut and I’m ready to begin.

Wow: big pastel, tiny paper. How is it to be done???

My biggest sellers are mini pastels, 2×3″ to 4×4″ pastels on card, framed. When teaching classes, one of the tricks my students are encouraged to master is the ability to hold a chunky pastel just right, in order to achieve a very fine line. It can be done!

No matter how rounded my pastels look, I can always find an edge. Sometimes I have to break them (painful, I know…but it must be done!), or use a small “crumb.” When handled correctly, I can get a thin eyelash even on a small piece of art. Continue Reading…

Such is Life, Act Three

Mary Liz Ingram —  January 28, 2013 — 1 Comment

The lights dimmed and the curtain raised, the stage once again reveals the now-familiar, bustling family of five.

In the driveway of their small suburban home, the father is buckling the well-padded baby into her snug carseat, making skilled attempts to wiggle her arms through the straps, as she works hard to get them out. The mother pulls at jackets and lifts under arms, ushering the bundled older children into the back of car with their loads of explorer-worthy trappings. Finally, children strapped in place, the parents take their seats and the family van pulls onto the road.

It’s a vacation day: pancakes have been eaten, lazy sipping of coffee has ensued, relaxation has crept into this usually-busy group. It’s a crisp, sunny day and the normally scheduled, organized family feels the need for a bit of spontaneity.

Time for a family hike. Continue Reading…

My Firstborn

Mary Liz Ingram —  January 26, 2013 — Leave a comment

Beginnings…there’s something about them that you just can’t forget.

I remember down to every detail, the moments when I first met each of my children. I remember the first time I met the man who has been my husband for almost 11 years.

And I remember when I drew my first pastel. It was seven years ago, and began as a doodle, just to entertain on a dull afternoon. I sketched out a picture of my first baby in black. Then I absent-mindedly added a bit of color here and there.

Congratulations all around! My firstborn pastel entered the world.

Snack Time, 8x10 pastel on newsprint

Snack Time, 8×10 pastel on newsprint

From there, I dabbled here and there and stumbled my way to my own set of pastel techniques.

If you’d like to meet my first “full color” pastel, as you might say, visit my previous post Memories.

 

My Nemesis

Mary Liz Ingram —  January 24, 2013 — 3 Comments

You know the feeling: your nemesis approaches. You want to cringe away; your eyes narrow, lips compress. Your palms might begin to sweat, or you get fidgety, anxiety rising. The dreaded moment draws near when you and your adversary are forced to interact.

It’s time I confess my greatest enemy. Continue Reading…

Chalk on a blackboard. What images pop into your mind? Math class, handwriting lessons, doodling in the corner when the teacher wasn’t looking….

Well allow me to introduce a new image: creating a pastel painting on a black board. If you know me at all, or follow my blog, you will know I love, love, love a good black base for my pastels. Up until today, this only meant that I start with black pastel.

But today, (drum roll please…) I created my own black pastel board!

Let me walk you through the process, and show you my results: Continue Reading…

Doing a back flip

Mary Liz Ingram —  January 10, 2013 — Leave a comment

I go on and on about the glories of textured pastel paper-which I love and prefer-but sometimes, I do use a piece of “regular” pastel paper…with a twist. While I mostly use Ampersand Pastelbords and Sennelier La Carte pastel card, I often choose a sheet of pastel paper for soft subjects, like a baby’s face. However, I do NOT like the little dots that show up on most papers.

So, I just flip it over and use the back! Continue Reading…

Since my previous post about SpectraFix Pastel Fixative, I’ve had some questions from readers and new developments on my own. I want to take a moment to add to the discussion, so we as artists can have the most information to create the best results possible! Continue Reading…