Sky, Hipstamatic photo… Its frustrating, being human. I hate messing up, missing an important detail, dropping one of the many balls I am juggling, not being able to “do it all.” I want to do everything perfectly. This is obviously unrealistic and impossible, yet I continue trying: Semper Reformata, the cry of the Protestant Reformation, “always reforming.” I’ve been watching the Olympics everyday, marveling at the abilities of my fellow human beings. These people are intense. Continue Reading…
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Pair of Horses
16×20 soft pastel on Pastelbord, $350 framed
My newest piece…
I’ve been wanting to draw horses lately. Drawing a horse’s body, with it’s distinct muscles, long legs and neck, is very different from drawing a cow or a sheep, with their stocky, thick bodies. The light glows off of the horses sleek curves; the gracefulness of the animal invites me to pause and reminisce, to think of the wonder in our world, the beauty in the family of things, of which we are a part. I think of the freedom of childhood, the rush of life. Through the beauty and being of a horse, I feel an echo of emotions, a connection to something unspoken.
Hay Fields, 12×16 Soft Pastel on Board
I love pastels, and I love teaching. Because of the nature of this dusty medium, it is hard to demonstrate to a large crowd since I cannot easily draw the picture upright, as on an easel, as the pastel dust cascades down the board with each stroke. To remedy this problem, in a recent pastel demonstration for the Birmingham Art Association, I inclined the board a bit to make it more visible and drew upside down, standing behind the table. My unorthodox method worked and here is the finished result: a colorful landscape that began upside down and was touched up a bit at home. I like the bright colors and think it is a pleasant, simple little scene.