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Sky, Hipstamatic photo… Its frustrating, being human. I hate messing up, missing an important detail, dropping one of the many balls I am juggling, not being able to “do it all.” I want to do everything perfectly. This is obviously unrealistic and impossible, yet I continue trying: Semper Reformata, the cry of the Protestant Reformation, “always reforming.” I’ve been watching the Olympics everyday, marveling at the abilities of my fellow human beings. These people are intense. Continue Reading…

Pair of Horses

marylizingramart —  July 27, 2011 — Leave a comment

Pair of Horses
16×20 soft pastel on Pastelbord, $350 framed

My newest piece…

I’ve been wanting to draw horses lately. Drawing a horse’s body, with it’s distinct muscles, long legs and neck, is very different from drawing a cow or a sheep, with their stocky, thick bodies. The light glows off of the horses sleek curves; the gracefulness of the animal invites me to pause and reminisce, to think of the wonder in our world, the beauty in the family of things, of which we are a part. I think of the freedom of childhood, the rush of life. Through the beauty and being of a horse, I feel an echo of emotions, a connection to something unspoken.

9×12 Soft Pastel on Pastelbord, Commissioned

For this piece, I combined several elements from previous pictures to suit my clients wishes…the swirling turquoise sky, the rust colored trees, the gray barn, and a Southern field full of cotton.

Hay Fields

marylizingramart —  March 18, 2011 — 1 Comment


Hay Fields, 12×16 Soft Pastel on Board

I love pastels, and I love teaching. Because of the nature of this dusty medium, it is hard to demonstrate to a large crowd since I cannot easily draw the picture upright, as on an easel, as the pastel dust cascades down the board with each stroke. To remedy this problem, in a recent pastel demonstration for the Birmingham Art Association, I inclined the board a bit to make it more visible and drew upside down, standing behind the table. My unorthodox method worked and here is the finished result: a colorful landscape that began upside down and was touched up a bit at home. I like the bright colors and think it is a pleasant, simple little scene.

A New Contrast

marylizingramart —  October 7, 2010 — 1 Comment



These pictures began to take shape on the way home from a family vacation to the Gulf Coast, when my sister sent me a photo via her phone, taken in transit, of hay in a field. I found great interest in the quality of the picture, with dark edges, blurred grass full of movement, a quick and simple snapshot of a familiar rural Alabama scene.

When I began creating the pieces, drawn outside in the newly-cool Fall air, I once again unconsciously intermingled my current state of being into the art. The brightened, more vibrant colors mixed with the darkening edges mirror my mood this week; happy, hopeful and full of rich life, with a bit of darkness lingering in the edges. The intermingling of Joy and Woe revisit my thoughts. I see a great contrast in life…the good and bad, the happy and sad, the rage and peace, the love and hatred, the energy and fatigue.

This new moment in my artistic journey of greater contrast, heavier color and darkened edges was a surprise to me…an unplanned development. The brightness darkening feels a bit ominous, like something is about to happen; like when you walk outside and know a storm is coming, when you can feel the pressure in the air. A heavy moment of stillness, a pause before the event begins.