Archives For Rural

Family Farmhouse

marylizingramart —  December 13, 2011 — Leave a comment

After a slow few months of art production due to the lovely symptoms of pregnancy, I’m finally back at my desk! With a baby girl kicking at my belly whenever I squash her against my art table, I have recently completed this family farmhouse, bringing together about twenty photos to include many family memories of a very kind lady.

In order to incorporate so many features, I approached the piece with a leaning towards folk art rather than perfect realism and proportion. I used the same set of colors throughout the painting to keep the images together as a whole. My sweet client and I are both happy with the finished piece, and I am looking forward to beginning my next painting!

Family Farmhouse, 18×24 soft pastel on board

Wedding Chapel

marylizingramart —  June 10, 2011 — Leave a comment

10×10 Soft Pastel on La Carte Pastel Card

Down some beautiful winding country roads outside of Columbus Georgia, and down a narrow road through a canopy of trees, we came to a sunlit clearing wide with spring green grass, surrounded by a just distant circle of thick trees and a vivid blue sky. Perched atop the grassy hill shone a gleaming white old chapel, relocated to the spot by the landowner. This dreamlike, private location was the setting of a perfect small wedding a few months ago…simple, elegant and gloriously bright. An artist’s dream come true!

9×12 Soft Pastel on Pastelbord, Commissioned

For this piece, I combined several elements from previous pictures to suit my clients wishes…the swirling turquoise sky, the rust colored trees, the gray barn, and a Southern field full of cotton.

Sometimes you find new inspiration in unexpected places. Bored with the same old style of my art, last Fall I found bold new colors and the freedom to enhance what is seen thanks to a text message joke from my sister. As children, we had this joke (which will probably sound lame, but we thought it a hilarious trick). We took lots of road trips back then and whenever we saw a hay bale, we’d say “Hay, (insert name).” If the chosen trick-victim said “what?” the trickster would giggle and giggle and point at the hay bale, exclaiming “I got you!” I told you…a little lame, an inside joke, but it was funny to us. As adults, let’s just say it may or may not still happen…

Now bringing my ramblings to a point: on the way back from a family beach trip, my sister texted me the picture below with “Hay (omitting funny childhood nickname) Mary Liz!” She had snapped the photo out of the window with the Hipstamatic App on her iPhone.

Hay Bales, 12×16 soft pastel

Her little joke set me on a new course full of turquoise and golden skies, darkening edges, simple photos from our region of the world. Since that day, I have taken a whole collection of pictures from rural Alabama and love finding inspiration in alternative colors thanks to Hipstamatic. If you are unfamiliar with this camera app, it is a program you can purchase very inexpensively on smart phones that allows you to change combinations of lens and film to get different colors and effects. My favorites are the John S lens and the Bettie XL lens. I love experimenting with it…you never know when you’ll get something new and fabulous! It is a great asset to my artwork. Below is another example of a different lens/film combination.

Rust, 8×10 soft pastel on card

In preparation for upcoming art shows, I am adding to my “Southern Exposure” pastel series with some new pictures from the rural south. Even though I live in “the city,” rural Alabama is very much a part of my life, from road trips and extended family, to our produce bought through the Eastlake Farmer’s Market and our dairy picked up from Wright Dairy in Alexandria. I love the beauty of our rural landscape, the thick trees, the rolling fields, the lazy cows, and the old barns in so many conditions, shapes and colors.

Wood, 4×6 soft pastel on card

Gray Barn

marylizingramart —  March 18, 2011 — Leave a comment


Gray Barn, 8×10 Soft Pastel on Card

I was drawn to this scene by the curved, rutted tracks in front of the tall gray barn. I loved the colors in the grass and dirt, and put in some simply drawn cows to keep the piece company.

Hay Fields

marylizingramart —  March 18, 2011 — 1 Comment


Hay Fields, 12×16 Soft Pastel on Board

I love pastels, and I love teaching. Because of the nature of this dusty medium, it is hard to demonstrate to a large crowd since I cannot easily draw the picture upright, as on an easel, as the pastel dust cascades down the board with each stroke. To remedy this problem, in a recent pastel demonstration for the Birmingham Art Association, I inclined the board a bit to make it more visible and drew upside down, standing behind the table. My unorthodox method worked and here is the finished result: a colorful landscape that began upside down and was touched up a bit at home. I like the bright colors and think it is a pleasant, simple little scene.

Passing Time

marylizingramart —  February 6, 2011 — 1 Comment


Passing Time, 18×24 Soft Pastel

When creating this piece, I wanted to convey a sense of stillness, waiting, and patience; the slowness of time. I chose colors of Fall turning to Winter, a time of rest, dormancy, waiting for renewal. The decay of the barn, the stillness of the cow, a calm golden day…all bringing to mind the slow and lazy passing of time.

Still experimenting with color, and the way unexpected hues can work together to create a more vibrant piece, I splashed in lots of blues, greens and reds in the hay to bring it to life…no drab browns here! The cow came together swiftly, layering the colors carefully…a feat in itself because I had a sick 3 year old boy in my lap and a dancing girl next to my chair! Moments like that make me smile, grateful that I can be an active mother and an active artist at the same time. The passing of time often seems slow, but when it comes to children, it sure seems to move quickly! This picture reminds me to take a breath, and enjoy the moments as they come, slowing down and taking it all in.

Train Whistle

marylizingramart —  January 20, 2011 — Leave a comment

Train Whistle, 14×18 Soft Pastel

I snapped a quick photo out the window of the car as my family and I were traveling through rural Alabama toward New Orleans. It wasn’t really a great shot; pretty boring as a photo. But through the vibrant softness of pastels, I could enhance the moment to show beauty in an average sight…train cars moving steadily beside the interstate, through the thick green trees of my home state, under a sky that evokes wonder and a bit of mystery. Swirling clouds, light and dark; a mixture of moods.

My home is situated near enough to hear train whistles in quiet moments. The sound permeates those moments when I am drifting off to sleep or reading quietly in my room. I hear it as I walk to my car on early winter mornings, its sound crisp and steady. The almost mournful tone speaks to me in almost-understood ways; it lingers and causes me to pause, to catch my breath and soak in the moment in which I find myself. I have heard it in some of my darkest moments…it draws out my sadness as a breath draws air, traveling languidly through the night. I hear it on hopeful mornings and I pause to see the beauty in my life, and the places I am going. It reminds me of journeys taken and journeys that lie ahead. It is a treasured sound I can recall from childhood; a sound that touches my soul.

A New Contrast

marylizingramart —  October 7, 2010 — 1 Comment



These pictures began to take shape on the way home from a family vacation to the Gulf Coast, when my sister sent me a photo via her phone, taken in transit, of hay in a field. I found great interest in the quality of the picture, with dark edges, blurred grass full of movement, a quick and simple snapshot of a familiar rural Alabama scene.

When I began creating the pieces, drawn outside in the newly-cool Fall air, I once again unconsciously intermingled my current state of being into the art. The brightened, more vibrant colors mixed with the darkening edges mirror my mood this week; happy, hopeful and full of rich life, with a bit of darkness lingering in the edges. The intermingling of Joy and Woe revisit my thoughts. I see a great contrast in life…the good and bad, the happy and sad, the rage and peace, the love and hatred, the energy and fatigue.

This new moment in my artistic journey of greater contrast, heavier color and darkened edges was a surprise to me…an unplanned development. The brightness darkening feels a bit ominous, like something is about to happen; like when you walk outside and know a storm is coming, when you can feel the pressure in the air. A heavy moment of stillness, a pause before the event begins.