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Vacations…

Mary Liz Ingram —  March 23, 2013 — Leave a comment

Well, I’m back.

I had a brief blogging hiatus due to several types of “vacations”…

The first type of vacation was not so much fun: it was a work-caused vacation from my sweet husband, who was whisked away on the wings of a metal bird to places of consultation. Packed neatly in his carry on bag was the computer. Alas, no blogging to be done! And my whirlwind of a schedule with 3 kids and work did not, this time, allow me to schedule any prewritten posts. As we jokingly and lovingly say to my hubby, “Go make the money, Daddy!”

The next vacation was the absence of the computer, which was sadly left behind in a Nashville hotel room. Several days later, it returned home after days of treacherous travel in a cardboard box. Blogging delayed.

The last vacation was a splendid one…Spring break trip to visit my fabulous sister and her family in the old Southern city of Savannah, Georgia. She lives around the corner from, I have to say, one of the most beautiful streets in the world: a quiet walk along the Bluff, with the peaceful marsh on one side, and gorgeous old homes on the other, pillared and canopied in huge, ancient oak trees draped in Spanish moss. A-mazing. The fuchsia azaleas were in full bloom, and keeping my handy iPhone in my back pocket, I snapped photos wherever we went. I was, as always, overwhelmed with the beauty, the uniqueness of that place. Being with family always makes me feel nostalgic, so I took lots of photos of the growing brood as well.

Here are a few of my favorite photos from the trip:

Ode to Coffee

Mary Liz Ingram —  March 14, 2013 — 2 Comments

When my alarm gently wakes me, the soft murmur of the sound machine and the endless comfort of my heavily pillowed bed drift before my senses much like a swift smack to the face. Daylight savings time has come to stay. The morning is dark, and I am almost inhuman as I hobble into the kitchen seeking the road back to life. As a tribute to that one cup brings me to life each morning, I hope you enjoy my “Ode to Coffee.”

Ode to Coffee, the elixir of life

O coffee, fresh coffee,
you restore my morning soul.
You give sight to my eyes,
purpose to my motion.
You awaken my mind.

With your cream and sugar
you balance my thoughts.
Your flavor and scent
give life to my days.
Your warmth restores.

Like the rising sun,
you raise the curtain
of my consciousness.
You lift my heavy brow;
humanity is renewed.

 

Morning Coffee, quick charcoal sketch

Morning Coffee, quick charcoal sketch

A few spot-on quotes from the “Honest Toddler” on Twitter:

“Watching adults try to get up in the morning is like seeing a baby elephant take its first steps. Incredibly sad but also funny.”

“Toddlers know when parents haven’t had coffee yet. Say ‘good morning’ and they just stare for 10 seconds trying to place you.”

“‘I need coffee.’ No, what you need is zeal for life not a drink that smells like a forest fire.”

Lovely Girl

Mary Liz Ingram —  March 11, 2013 — 2 Comments

 

Nora Grace, 8x10 pastel on paper

Nora Grace, 8×10 pastel on paper

Baby Nora

An unexpected gift to our family, this little girl is joy in the flesh. Sweet and soft, small and patient, she is a little light, bringing dimpled grins wherever she goes. Each time we hold her, we breath in life a little more deeply, pause and linger over the moment with a little more care. The gratefulness we feel because of this precious girl is inexpressible. I spend each day gushing over her: squishing her cheeks, waiting for her smile and her sweet, tiny voice to call for me. She lives surrounded by love, as I hope she always, always will.

“Lovely girl won’t you stay, won’t you stay, stay with me” -The Lumineers

My kind and ever-patient art critic

My kind and ever-patient art critic

It’s the moment when your artist’s angst is at its peak. Your anxiety and self-doubt threatens to swallow you whole as you contemplate your progress, your vision, your work-in-progress. You turn and address your spouse: “Woe is me! I am but a worm in the world of art! This eye is not right! This brush stroke out of place!” The profuse encouraging support fails to reinflate your confidence. You know something is artistically awry and such flattery falls on deaf ears. You ask for serious improvement suggestions. Bad idea.

It’s the moment when you soar in self-satisfaction over your seemingly greatest achievement. Your triumph is palpable as you gaze lovingly at your finished product. Eyes misty and senses blurred, you see only an image of perfection. Then you look more closely. And you see a flaw. Then another. You turn and address your loved-one: “I thought it was perfect! But, alas, I see flaw after flaw after flaw! How can I remedy this calamity?!” You’ve asked for a critique of your art-baby. You’ve opened yourself up to criticism. From a much loved, highly involved relation-of-sorts. Bad idea.

Whether in highs or lows, we are all – not just artists! – so very sensitive to criticism. I know when, in my own personal melodrama, I’ve asked for my husband’s honest and open and I-promise-not-to-get-upset opinion, it is a farce: I will get upset. It’s like asking if you look fat in a dress. No answer is acceptable.

True, true…art is free and open and without rules. As artists we can paint or draw or sculpt or carve however we want, whatever we want, and who’s to say if it is good or bad, right or wrong, perfect or imperfect. But, still…some things are better than others, and most things can be improved.

So, our lesson for today is this:

Don’t be so hard on our invited critics.

Or else don’t ask if the metaphorical dress makes you look fat.

My poor husband…how does he put up with having an artist for a wife!

“Let us go on talking about ourselves and our own particular little niche in life. The world is too vast a place.”The Colossus of Arcadia E. Phillips Oppenheim

Today I read a blog post by one of my fellow artists that encouraged the art of self portraiture. Hmm. Not something I do very often – ahem – I mean ever. I’m not a big fan of photos of myself, much less drawing my face.

But there is something fascinating about an artist’s self portrait. It is a window into their life, their thoughts, their persona reflected in their own creation. I browsed the web for self portraits and came across a Russian artist from the early 1900s with whom I was unacquainted.

Zinaida Serebriakova self portrait

Zinaida Serebriakova self portrait

One of the first Russian women to gain real fame in the art world, Zinaida Serebriakova painted images of her surroundings and the people in her country.  She valued life and beauty, worked in oils, charcoal and pastels. She was a wife, mother, daughter and experienced her share of tragedy during the revolution in 1917.  She began her successful art career as a young woman, and painted many beautiful self portraits that stand out to me because of her charm, her smile, her friendly, welcoming expression. The props and surroundings she chose give you a glimpse into her life: paints and brushes, her children, her dressing table with jewelry, perfumes and combs. I was fascinated by her. While most self portraits portray serious expressions, without hint of smiles, Serebriakova’s portraits intrigue me with her pleasant, almost mischievous grin.

I began thinking on my own self portrait. What would I include? What expression would I depict?

We all seek to be known. Continue Reading…

Put Up Your Dukes

Mary Liz Ingram —  March 5, 2013 — 2 Comments

I’m sitting on my art room floor, folded in an adolescent position (for which later my joints paid dearly), bent over an 8×10 sepia colored piece of pastel card. My pastels lay to my left, my reference in front propped against a child’s white & marker-scribbled chair. The sun is shining in, the Lumineers sing to me as Pandora plays my choice of music.

The metaphorical bell sounds; that hollow metallic announcement that the fight begins.

“DING!”

In one corner, there is me, bent and ready for the battle. My opponent in the other, a photo of a large silver Maine Coon, waiting to be drawn.

The match begins with ease. I sketch that cat and win round 1.

"paint by number" phase

“paint by number” phase

I tackle the image with my initial layers of pastels, and reduce my opponent to art reminiscent of the “paint-by-numbers” of my childhood.

When it’s time for the unifying layers, where it is expected that I will triumph, the cat fights back. It’s lunchtime and I’m growing weak. My frustrations mount as we’re locked in a fierce battle. I attack with my pastels to no avail.

I return to my corner. My eyes are numb to the big picture and I need a rest. Details are blurred and frustrated, and my animosity towards the cat has escalated to muttered swearing. I eat. I rest. I separate from the cat. Continue Reading…

What’s in a name?

Mary Liz Ingram —  February 27, 2013 — Leave a comment

Baby ToesYou’re expecting a baby. You toss around this name, argue over that name. You think of the ways someone could make fun of the name, what it rhymes with, how it looks in writing. For me, I knew the baby’s name as soon as the gender was discovered. For my sister, her baby had a name when they were forced to turn in the birth certificate form. It’s a big deal, naming a person!

In a different setting (or if you’re like me, with said baby on your hip), it’s time to choose another name: another “product of your labors,” if you will (ha ha).

The Clod & The Pebble

The Clod & The Pebble, 18×24 Soft Pastel on board,

Your art is complete. You stand back, considering the image, thinking of the message, the voice you hope it conveys…the mood, the feeling. It’s time to give it a name. Sometimes a name seems to come pre-attached to your artwork and is easy to choose, such as my “The Clod and the Pebble,” which was inspired by the poetry of William Blake. Sometimes extensive creativity is not required, like a friend of mine who numbers his cow paintings (Cow 1, Cow 34, etc.). Sometimes naming art can be comical, when you try to be real “artsy fartsy” and call it “Life Emerging from Heartstrings” or “Purple Mists Over the Lands of Love.” (apologies if anyone has chosen these fabulous, imaginary titles…)

At other times, you stare and stare and your mind draws a blank. This happens to me A LOT. I’ll toss names around, and finally just settle for one that I may find a bit silly. Continue Reading…

My grandparent's WWII Salt & Pepper Shakers

My grandparent’s WWII Salt & Pepper Shakers, original photograph

I was standing in the kitchen eating a good, homemade southern biscuit with a nice pat of butter in its middle, when my senses whisked me back to another house, another tasty biscuit, another just-melting-but-still-cold piece of butter.

My grandparent’s house, Birmingham, Alabama circa 1991: In front of me, at chest height while sitting, is my Granny’s oval dining room table, shiny with wood polish. Around the table, on rounded and puffed, aqua-upholstered, carved wooden chairs from an era past, sits my family – my Granny with her curly gray hair, my Grandaddy topped in a gloriously soft white tuft, my mom and dad, and my little sister with her freckles.

Eating my biscuit in my own kitchen today, I remembered how things were to be done at that family dinner table. In this formal Southern dining room with it’s sheer lace curtains, the African violets bloom in the window, and Granny’s pastel portraits of my four great grandparents hang in gilded frames upon a wall-papered backdrop. In this room, your mint iced teas must sit on the silver coasters, and the tiny salt and pepper shakers – brought home from France in WWII – are set within reach. The fresh biscuits are always served in the ventilated and covered red warming dish. Continue Reading…

Piece by Piece

Mary Liz Ingram —  February 21, 2013 — Leave a comment

Sometimes creating art can be a lot like completing a puzzle. I have the pieces, and it’s a matter of putting them all together.

Join me for a quick step-by-step journey, as I put the pieces together to form my latest pastel, “Cotton Whispers”:

The first piece to the puzzle begins in my mind: an inspiration; an experience; a mist of a final product. The next piece comes with my references: photographs taken on a family vacation, cotton bolls saved here and there.

Beginning the sketch

Beginning the sketch

The next step is the charcoal sketch: Continue Reading…

When Cotton Whispers

Mary Liz Ingram —  February 18, 2013 — 2 Comments

“Art creates a kind of commentary” -Barbara Kruger

I live in the South. Sweet Home Alabama. The southern states of the US are full of a complex history, and for me, it is always strongly felt when I have the rare opportunity to gaze in stillness over a vast field of snow-white cotton.

Cotton Whispers, 24x36" soft pastel on board

Cotton Whispers, 24×36″ soft pastel on board

Stand with me a moment:

It’s a gleaming fall day in Alabama. The sky is brilliantly soft blue as the sun shines intensely at midday, lighting up the tufts of white cotton to full brightness. The grass is becoming dry, multicolored with the changing of season.

Behind me is your average gas station. We’ve stopped to fill up on our way home. You see, I’m a city girl, raised from age two in Birmingham, “the steel city,” the largest city in Alabama. We don’t have cotton fields nearby, and I have grown up in an age in which people don’t pick cotton by hand anymore. I’ve never seen people working fields with anything other than large farming machines.  Continue Reading…