There are so many “surfaces” upon which you can create your pastel drawings…papers of a spectrum of colors, smooth, rough or in between; Wallis paper, a card-stock thick paper with a sanded, toothy texture; Sennelier La Carte Pastel Card, a bit thicker with a sandy texture (my preference when creating small, off-size, or art that is to be matted); and Ampersand Pastelbord…my very favorite. Pastelbords are sturdy, like masonite, with a wonderful gritty texture that will hold layers and layers of pastel. Easy to frame with spacers in between the board and glass; easy to transport and never bending or curling. Although I stick to pure pastel painting, you can paint an acrylic wash on the board to tint the background, letting your color of choice show through. It lends itself well to thick pastel application and great coverage. You can put green over red and it doesn’t smear and blend unless you want it to! You can use the texture as a tool, dragging your pastel across and letting the toothy texture grab the pigment as it will. In my art classes, it is almost a joke that you can try all sorts of surfaces, but once you go “bord,” you never go back!
Once you go bord, you never go back
Trackbacks and Pingbacks:
January 6, 2013
[…] vine charcoal, I loosely recreated my sketch onto a 24×36″ Ampersand Pastelbord (I always choose […]
October 4, 2015
[…] Pastelbords […]